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Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

The artist talks about notions of voyeurism, and her in...

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İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, D...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Cl...

When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dens...

Chto Delat: ‘Before you can recognise the light, you have to recognise t...

Dmitry Vilensky and Olga Egorova of the Russian collect...

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Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of &...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Com...

Yuko Mohri: ‘I’m very curious about organic ecosystems’

The Japanese artist Yuko Mohri’s exhibition at White Rainbow is...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied b...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public ...

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Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital&...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, e...

Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fic...

Linda Stupart: ‘I’m interested in thinking about a world without men’

The writer, sculptor and performance artist talks about...

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Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Ira...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, h...

Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...

For his current exhibition at Jack Shainman Gallery in ...

Aki Sasamoto: ‘I enjoy how much I can push meaning with the wrong answer...

New York-based performance artist Aki Sasamoto has a te...

Maria Nepomuceno: ‘I want to create a place where people can be suspende...

The Brazilian artist talks about her fascination with h...

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Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which...

Susannah Stark: ‘I like to create something that bears the trace of mult...

The artists talks about cultural memories, Spolia, swam...

Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract...

Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...

The Brussels-born artist discusses reconstructing old p...

Mette Edvardsen: ‘If forgetting is important, then so is remembering’

The dancer, choreographer and performer talks about memor...

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Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beij...

Bloomberg New Contemporaries 2016

Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to th...

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and instal...

Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where our consum...



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