logo studio international

Secundino Hernández: ‘As a painter you have to have the courage to not ...

The artist talks about his academic origins, the delica...

<

Enrique Martínez Celaya: ‘The sense of past as memory always has force...

The artist talks about his latest show, The Gypsy Camp,...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

The Turkish artist discusses her work THEY/ONLAR, a mul...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian arti...

Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New Yor...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogat...

<

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in ...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

The artist talked to Studio International about his pai...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

The artist talks about his seduction by charcoal, his f...

<

Oliver Beer: ‘We are very fortunate to live in a time when there is comp...

Oliver Beer uses sound, film and sculpture to explore t...

Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

The artist talks about notions of voyeurism, and her in...

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, D...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Cl...

<

Anna Freeman Bentley: ‘The work is successful when there’s a question ...

Freeman Bentley’s paintings are visual and psycho...

When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dens...

Chto Delat: ‘Before you can recognise the light, you have to recognise t...

Dmitry Vilensky and Olga Egorova of the Russian collect...

Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of &...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Com...

<

Yuko Mohri: 'I’m very curious about organic ecosystems'

The Japanese artist Yuko Mohri’s exhibition at White Rainbow is tit...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied b...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public ...

Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital&...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, e...

<

Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fic...

Linda Stupart: ‘I’m interested in thinking about a world without men’

The writer, sculptor and performance artist talks about...

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Ira...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of
the Studio Trust and, together with the content,
are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
Studio Trust, PO Box 1545, New York, NY
10021-0043, USA