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Becky Suss: ‘Putting domestic spaces into the gallery says something abo...

In her exhibition Homemaker at the Jack Shainman Gallery in New York, the Philadelphia-based artist ...

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Rachel Maclean: Spite Your Face

Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale titled S...

NS Harsha: Charming Journey

The Indian artist explains some of the works on show at this retrospective, and why, despite once wo...

Frances Stark: ‘I am desperately trying to connect outside of the art wo...

The Los Angeles-based interdisciplinary artist and writer talks about her first opera, an adaptation...

Oliver Griffin: ‘The very act of photography makes something interesting...

The artist talks about drinking White Russians, his BMX bike, which he has named Susan, taking pictu...

Peter Dreher: ‘In my pictures I underline the act of seeing’

The German artist recounts the trauma of childhood under the Nazi regime, his autonomy from the soci...

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James Bridle: ‘There is a huge demand to humanise the technological view...

The artist talks about his current show at the Nome Gallery, Berlin, which centres around the self-d...

Eddie Martinez: ‘I just want people to interpret the work how they want...

The artist talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the influe...

Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

The artist talks about the works in Drawings and Projects, her current exhibition at House of Illust...

Ruth Maclennan: ‘I realised that global warming was happening, and asked...

The visual artist talks about what art can do in the face of climate change, her films of Arctic Rus...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

The artist talks about his academic origins, the delicate equilibrium he seeks between accident and ...

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Enrique Martínez Celaya: ‘The sense of past as memory always has force...

The artist talks about his latest show, The Gypsy Camp, and his interest in nomadism and displacemen...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

The Turkish artist discusses her work THEY/ONLAR, a multiscreen video installation previously seen a...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian artist’s work, as he challenges stereotypical i...

Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New York brings together Titarenko’s photographs f...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Petherbridge sees drawing...

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James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...

Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complicate tradi...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

The artist talked to Studio International about his painting process before the opening of his first...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

The artist talks about his seduction by charcoal, his fear of being exposed, and his creation of min...

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Oliver Beer: ‘We are very fortunate to live in a time when there is comp...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

The Australian artist’s new exhibition at the ICA in London re-examines Britain’s colonial relat...

Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

The artist talks about issues of voyeurism, privacy and identity, and her interest in personal space...

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

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Anna Freeman Bentley: ‘The work is successful when there’s a question ...

Freeman Bentley’s paintings are visual and psychosocial mazes that tease layers of meaning from ar...

When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...

Chto Delat: ‘Before you can recognise the light, you have to recognise t...

Dmitry Vilensky and Olga Egorova of the Russian collective Chto Delat talk about their latest exhibi...

Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...



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