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Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...

Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...

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Grace Weir: ‘I often think through the camera’

In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...

Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...

Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...

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Pavel Brăila: 'Roots are the most important thing that we have’

After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...

Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...

Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

Robert Longo: ‘I’m making artworks out of dust’

At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...

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Ross Birrell: ‘I saw a possible way to draw a relationship between art a...

Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...

Lucas Arruda: ‘The only reason to call my works landscapes is cultural’

On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Peter Halstead: ‘People should have their own personal adventure with sc...

Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

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Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

Chris Alton: ‘By bringing different artists together, there is the possi...

Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...

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Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...

Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...

Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...

Julián Zugazagoitia: ‘Museums should generate interest and open a door ...

Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...

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Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

Lluís Lleó: ‘It was important to me that the sandstone came from Spain...

Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired ...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...



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