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Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...

Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...

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Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...

Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

Ania Dabrowska: ‘By the retelling of archival stories we have the power ...

Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...

Maria Alyokhina: ‘The government media calls us enemies of the people ...

Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...

Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

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Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

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Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

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Jesse Jones: Tremble Tremble – Venice Biennale 2017

Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...

George Drivas: Laboratory of Dilemmas – Venice Biennale 2017

For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture ...

Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...

Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...

Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...

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Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...

Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...

Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...

Rachel Maclean: Spite Your Face – Venice Biennale 2017

Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

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Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

Norman Hyams talked to Studio International about his painting process before the opening of his fir...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...

Oliver Beer: ‘We are very fortunate to live in a time when there is comp...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...



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