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Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...

Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complicate tradi...

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Norman Hyams: ‘I very much believe in losing a painting and finding it’

The artist talked to Studio International about his painting process before the opening of his first...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

The artist talks about his seduction by charcoal, his fear of being exposed, and his creation of min...

Oliver Beer: ‘We are very fortunate to live in a time when there is comp...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

The Australian artist’s new exhibition at the ICA in London re-examines Britain’s colonial relat...

Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

The artist talks about issues of voyeurism, privacy and identity, and her interest in personal space...

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İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

Anna Freeman Bentley: ‘The work is successful when there’s a question ...

Freeman Bentley’s paintings are visual and psychosocial mazes that tease layers of meaning from ar...

When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...

Chto Delat: ‘Before you can recognise the light, you have to recognise t...

Dmitry Vilensky and Olga Egorova of the Russian collective Chto Delat talk about their latest exhibi...

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Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...

Yuko Mohri: 'I’m very curious about organic ecosystems'

Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied biology rather than art, how her scientific ba...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...

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Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...

Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fictional narrative The Crystal Frontier, h...

Linda Stupart: ‘I’m interested in thinking about a world without men’

The writer, sculptor and performance artist talks about the power of crystals, witchcraft and using ...

David Brian Smith: ‘My cause is to fight for the plight of the English c...

The painter’s pop-coloured vision of the English countryside belies a sad truth, but as Smith demo...

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Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, his current work, We Have Rather Been Invaded,...

Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...

For his current exhibition at Jack Shainman Gallery in New York, Titus Kaphar looks to historical po...

Aki Sasamoto: ‘I enjoy how much I can push meaning with the wrong answer...

New York-based performance artist Aki Sasamoto has a tendency to speak entirely in metaphor, sit in ...

Maria Nepomuceno: ‘I want to create a place where people can be suspende...

Brazilian artist Maria Nepomuceno talks about her fascination with hammocks, her novel way of amalga...

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Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which includes more than 700 of her late husband...

Susannah Stark: ‘I like to create something that bears the trace of mult...

The artists talks about cultural memories, Spolia, swamps and Icelandic necropants...

Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...

Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...

The Brussels-born artist discusses reconstructing old paintings as tapestries to create new work, wh...



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