Ilana Halperin: There Is a Volcano Behind My House
For one of her largest solo presentations to date, Ilana Halperin brings her multifaceted practice t...
-300.jpg)
Welsh artist Bedwyr Williams’s London show is a cartoon, model and animation-fuelled parody of pre...
Rachel Kneebone – interview: ‘My work is concerned with our visceral l...
Sculptor Rachel Kneebone talks about her forthcoming exhibition at Yorkshire Sculpture Park and the ...
Sutapa Biswas – interview: ‘I felt questioning established systems of ...
Sutapa Biswas talks about her lifelong quest to decolonialise British art history, and about her two...
Ellen Gallagher: Ecstatic Draught of Fishes
Gallagher takes the viewer down into her watery world, where mythology, history and nature collide, ...
Chantal Joffe’s tender paintings of herself and her siblings with their mother evoke memories of f...
Marco Livingstone’s lavish book is a tribute to one of Britain’s finest landscape painters and i...
Jean David Nkot – interview: ‘I want to show that even if every day is...
The artist talks about the development of his practice, and how he uses three distinct layers to add...
Exhibition Cuttings, curated by Mathieu Copeland
Copeland challenges the usual perceptions of what an exhibition should be. Here he explores the idea...
Thomas Becket: Murder and the Making of a Saint
The British Museum tells the story Thomas Becket’s brutal murder and the cult of devotion his deat...
The Chinese artist Yu Ji has salvaged construction debris from east London and Shanghai to create a ...
Alice: Curiouser and Curiouser
The V&A throws film, photography, prints, fashion, art and crockery into the mix to bring the origin...
Veronica Ryan: Along a Spectrum
After a residency prolonged by the pandemic, Veronica Ryan delivers a profound and playful selection...
Enough Is Definitely Enough – book review
As this captivating book shows, when Andrew Bracey asked 62 contemporary artists for their interpret...
Charlotte Keates – interview: ‘I want my paintings to feel more like d...
Charlotte Keates talks about her series of paintings in the group show Just What Is It …?, at Cris...
A packed retrospective of the surrealist fellow-traveller spirals off in all sort of directions, off...
-300.jpg)
Dubuffet’s curiosity and playfulness with serious and complex ideas shines through in this show, w...
El Anatsui: Art and Life – book review
Susan Mullin is both an expert on and a friend to the Ghanaian sculptor El Anatsui. This second edit...
Tahnee Lonsdale: Under the Shell
In this solo exhibition, Tahnee Lonsdale presents 12 large oil paintings, produced this year, that p...
Walter Price’s works reflect the instability and unpredictability of our times, with the themes of...
An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...
Barbara Hepworth: Art and Life
The largest UK show of Hepworth’s work since her death in 1975, this unashamedly biographical cons...
Heather Phillipson: Rupture No 1: Blowtorching the Bitten Peach
This show is a fully sensate experience, a meditation of sorts on the state of the world that turns ...
Richard Hamilton: Respective – Key works and a wealth of fascinating archive material make this sm...
With about 200 items, including some of his best-known, most groundbreaking works, this exhibition d...
Mariam Zulfiqar, the curator of an exhibition of art installations at Chiswick House, says it marks ...
Black art matters: what not to miss in Miami
Miami Art Scene May 2021 – leading America’s obsessive, overdue, and necessarily over-weighted a...
Clare Woods – interview: ‘Fragility and vulnerability have always been...
Clare Woods talks about her new prints and collages, now on show at Cristea Roberts gallery in Londo...
Charleston reopens with two exhibitions investigating the relationship between portraitist and model...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
