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William Crozier: The Edge of Landscape

Working in the shadow of the second world war, the nuclear threat and the Irish Troubles, Crozier’...

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Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Being: New Photography 2018

Iteration 2018 of MoMA’s biennial sampling of what’s trending in photography rethinks both the m...

Under Cover: A Secret History of Cross-Dressers

Based on found photographs collected by French film-maker Sébastien Lifshitz, this exhibition at th...

Chiharu Shiota: Beyond Time

Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel ...

Marino Marini: Visual Passions

At the home of his iconic equestrian sculpture, The Angel of the City, this retrospective of the Ita...

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SUPERSTRUCTURES: The New Architecture 1960-1990

Forty years after it opened, the Sainsbury Centre plays host to an exhibition looking at the pioneer...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Lilah Fowler: nth nature

The exhibition nth nature, a new body of work by Lilah Fowler, explores feelings of transience and d...

Virginia Woolf: An Exhibition Inspired By Her Writings

The great modernist writer serves as a presiding spirit in an inclusive, multifarious group show, di...

Panorama Punjab

Committed to placing this marginalised sector of India in the light once again, film-maker Sarah Sin...

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Ingela Ihrman: We Thrive

The Swedish artist’s works and her theatrical pieces – which include a giant hogweed, a giant ot...

Murillo: The Self-Portraits

A small number of Murillo’s rare portraits are brought together at the National Gallery to celebra...

Picasso 1932: Love, Fame, Tragedy

Despite passages of naked voyeurism, the Tate’s blockbuster intoxicates with passion, power and th...

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...

Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

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The Armory Show 2018

This year’s Armory Show offered viewers an impressive selection of works by a wide range of artist...

Robert Irwin

Irwin’s immersive installations, with their experimental approach to light and space lead the view...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Cinthia Marcelle: The Family in Disorder: Truth or Dare

In her first major UK solo exhibition, the Brazilian artist shows the importance of collective actio...

Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

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Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...

For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...

Source and Stimulus: Polke, Lichtenstein, Laing

Presenting Roy Lichtenstein, Sigmar Polke and Gerald Laing in dialogue with each other within the co...

All Too Human: Bacon, Freud and a Century of Painting Life

Tate Britain’s All Too Human explores family, sex and death, and offers a fantastic chance to expl...

Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...

Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...

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Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...

The pioneer of immersive, sculptural light installations explains his process and procedures, intere...

Sam Stewart: ‘From a psychological perspective, working in someone's hom...

For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...

Cybernetic Serendipity: History and Lasting Legacy

Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...

Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...

Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...



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