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Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

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Daniel Richter: Lonely Old Slogans

German painter Daniel Richter’s first UK solo show reveals uncomfortable truths about human expres...

Chris Alton: ‘By bringing different artists together, there is the possi...

Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...

Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Breathing Colour by Hella Jongerius

This brilliant show from Dutch industrial designer Jongerius aims to ‘tickle the eyes of the viewe...

Scythians: Warriors of Ancient Siberia

The Scythians are coming to the British Museum this autumn and we have more in common with these anc...

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Vermeer and the Masters of Genre Painting: Inspiration and Rivalry

The organisers of this exhibition are keen to show how the Dutch genre painters both drew inspiratio...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

Alma-Tadema: At Home in Antiquity

A capacious retrospective of the long-neglected Victorian academician uncovers a master of the sensu...

A Perfect Chemistry: Photographs by Hill and Adamson

A celebration of collaboration, friendship and innovative spirit, A Perfect Chemistry illuminates th...

Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...

Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...

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Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...

Santiago Sierra: Impenetrable Structure

The controversial Spanish artist returns to London with a new site-specific installation that contin...

Julián Zugazagoitia: ‘Museums should generate interest and open a door ...

Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Julian Lethbridge: Inside Out

The 13 new paintings by Julian Lethbridge, now on show in Berlin, are works of virtuosity and dedica...

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Hans Hansen: Still Life

This survey of six decades of the work of German photographer Hans Hansen, perhaps best known for hi...

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

Hélio Oiticica: To Organize Delirium

This inspiring retrospective at the Whitney captures the sensuous resonance of Brazilian artist Hél...

Guy Yanai: ‘Every work that leaves my studio is part of an inexhaustible...

The Israeli artist Guy Yanai explains the stories behind the bold, colourful oil paintings in Speak,...

Damien Hirst: Treasures from the Wreck of the Unbelievable

The YBA’s watery comeback dazzles with its extravagance, but the audacity of Hirst’s exhibition ...

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Delving into coding: the art of Harold Cohen

Harold Cohen, who developed Aaron, one of the first and most complex software programs for computer-...

Hanne Darboven: Korrespondenzen

An exhibition in Berlin uses a collection of correspondence to place the great German conceptualist ...

Matisse in the Studio

This exhibition tells the story of Matisse’s collecting habits, but fails to conjure up the joy of...

Clare Woods: Victim of Geography

For her first solo exhibition in Scotland, the renowned British artist Clare Woods presents 11 strik...

Bill Viola Retrospective

Bill Viola’s strength is in using the video camera to get under the viewer’s skin, peeling away ...

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Lluís Lleó: ‘It was important to me that the sandstone came from Spain...

Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired ...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was p...

Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery ...

Andrew Rogers: I AM–ENERGY

Among Expo 2017’s vast complex of pavilions stands Andrew Rogers’ I AM–ENERGY. A sculptural fe...



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