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Martin Kippenberger

Kippenberger's restless stylistic movements resist the monumentality that a retrospective can impart...

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Americans in Paris, 1860-1900

Paris, at the end of the 19th century, encompassed European tradition and the avant-garde. Having su...

Tom Hunter, Living in Hell and Other Stories

Since 1997, Tom Hunter has turned his camera on his surrounding neighbourhood of Hackney, showing em...

The Trees for the Wood - the Enigmatic Genius of Jacob van Ruisdael

There is major significance in Seymour Slive's excellent exhibition currently showing in the Sackler...

The Gao Xingjian Experience: A Personal Journey to the Infinite

'The Gao Xingjian Experience' is the first retrospective art exhibition in Asia of the celebrated mu...

On the Trail of Wise Fools and Simpletons in the Himalayas

Those unfamiliar with Tantric Siddhas and Himalayan art, culture and religion may be surprised to le...

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Brussels Dispatch: A Review of Some Small and Unusual Spaces for Art

Built in 1663, the Brigittine Chapel has survived a bombardment that turned its surroundings to ashe...

Moonrise over Europe: JC Dahl and Romantic Landscape

'This compact and appealing exhibition is designed to celebrate The Barber Institute's acquisition o...

Asian Traffic: Magnetism - Suspension

Shanghai is an international city known for its economic prowess and cosmopolitan culture. There is ...

To the Finland Station and Back: RUSSIA!

The same may be true of Russian art, as anyone who was lucky enough to see the recent exhibition, 'R...

Starting at Zero: Black Mountain College 1933-57

Radical educational establishment and sanctuary of the avant-garde in art, music, poetry and dance, ...

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Beyond the Visible: The Art of Odilon Redon

Since 1967, Richard Long has used walking as the basis of his artistic practice. What appears in the...

Tadeusz Kantor

It is a measure of the seriousness with which many Poles regard culture that the national quality da...

Richard Long: The Time of Space

Since 1967, Richard Long has used walking as the basis of his artistic practice. What appears in the...

Daniel Roth: The Well

London is a place continually remade by writers and artists, layering their own versions and theorie...

Self-Portrait: Renaissance to Contemporary

'Self-Portrait: Renaissance to Contemporary' explores self-portraits over 500 years. It includes 56 ...

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Changing Hands and Building Bridges: Tradition and Innovation in Native Am...

'Changing Hands: Art Without Reservation 2 - Contemporary Native North American Art from the West, N...

Anselm Kiefer: Heaven and Earth

Aspects of Vincent Van Gogh's oeuvre, comparatively unknown to date, have recently been presented in...

Hiroshi Sugimoto: End of Time

The first comprehensive retrospective of Japanese artist Hiroshi Sugimoto's work to take place in hi...

Berthe Morisot: An Impressionist and Her Circle

Berthe Morisot was the first woman to join the circle of Impressionist painters and it is through fo...

The John Bellany Odyssey - paintings from Italy, China and the Tsunami

John Bellany's paintings are among the most confrontational, humanistic paintings produced in Britai...

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Susan Contreras: Recuerdos de Mexico

'Recuerdos de Mexico' ('Memories of Mexico'), an exhibition of paintings by prominent Santa Fe artis...

The Art Scene in Santa Fe

In 2005, two events coincided to provide us with the best opportunity to assess Walter Sickert's sta...

The Paintings of Elias Rivera

Rivera's paintings of the last 20 years present scenes in the streets or market places of Santa Fe, ...

Sickert Today Degas, Sickert and Toulouse-Lautrec: London and Paris 1870-1...

In 2005, two events coincided to provide us with the best opportunity to assess Walter Sickert's sta...

The West Indian Front Room: Memories and Impressions of Black British Homes

The Geffrye Museum is clear evidence of the gradual revival of Hackney Wick; indeed, of this whole E...

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Embanking the Sublime The Unilever Series: Rachel Whiteread

Rachel Whiteread is the most successful and original artist to have filled the big space at Tate Mod...

Blood Red Suns and Bright Yellow Moons Henri Rousseau: Jungles in Paris

ate Modern has shown great perception in mounting the current exhibition, 'Jungles in Paris'. It was...

Book review: RUSSIA!

In New York, the queues have been forming at the Guggenheim. This is a momentous exhibition, which f...

Love Revealed: Simeon Solomon and the Pre-Raphaelites

The work of Simeon Solomon is celebrated at the Birmingham Museum and Art Gallery to mark the centen...



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