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Bloomberg New Contemporaries 2016

Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to the p...

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George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...

Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...

Seungjo Jeong: interview

South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...

Roger Hiorns: ‘It isn’t enough to put an artwork in the world. You hav...

Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...

Jiang Dahai: ‘There are universal values shared among artists and schola...

The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...

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György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face of Ebola...

John Akomfrah: ‘The question of discourse is absolutely central’

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...

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Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewe...

Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...

The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...

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Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave decision to ...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

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Jennifer Wen Ma: ‘Throughout history, humans have been trying to break i...

The artist talks about her new installation, Molar, at Cass Sculpture Foundation, created as a place...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Gallery in London, billed as ‘...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

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Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his current show at Exeter Phoenix, collaborating with local artists, the imp...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...

Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...



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