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Alastair Upton: interview

Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...

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Dashiell Manley interview: ‘I approach most projects as if making a film...

Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...

Stephen Farthing: interview

Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...

Mark Soo interview: ‘The object of observation changes by being observed...

Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...

Ed Atkins: interview

Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...

Lisa Corinne Davis: interview

Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...

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Anita Taylor: interview

Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...

Calum Colvin: interview

Calum Colvin talks to Christiana Spens about the influences behind his art and photography, his feel...

Rose Wylie: interview

Studio International visited the painter Rose Wylie in her studio in Kent, to see the new paintings ...

Wendy White: interview

Madrid Me Mataat Arts + Leisure is New York-based painter Wendy White’s homage to the Galería Mor...

Bartosz Beda: interview

Bartosz Beda is a rising star whose torrid paintings reflect social anxieties, with and a keen eye t...

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Gustav Metzger: interview

Studio International was lucky enough to meet Metzger in his London Fields studio. After a brief cha...

Fiona Banner: interview

This new body of work at PEER is a collaboration between the artist Fiona Banner and the Magnum phot...

Lucía Pizzani: interview

The Worshipper of the Image is the first solo show in London held by the Venezuelan artist Lucía Pi...

Charlotte Hodes: interview

In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the...

Shaun McDowell: interview

Save Yourself! is an exhibition of small-scale drawings by seven artists from different generations,...

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Ben Quilty: interview

Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...

Joe Winkelman: interview

Joe Winkelman is one of the UK’s leading printmakers, specialising in intaglio since 1975. From 19...

Ralph Rugoff: interview

The Human Factor: The Figure in Contemporary Sculpture. Curator of the exhibition, Hayward Gallery...

Pierre-Nicolas Bounakoff, Jean-Marie Gallais, Ida Tursic and Wilfried Mill...

Halftone: Through the Grid is a group show, curated by Pierre-Nicolas Bounakoff and Jean-Marie Galla...

Isabel Nolan: interview

Isabel Nolan’s exhibition at the Irish Museum of Modern Art, The Weakened Eye of Day, marks the la...

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Marina Abramović: interview

We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...

Doug Cocker: interview

Doug Cocker’s workspace – a converted studio in Lundie – sits in the farming landscape of Coup...

Joyce Cairns: interview

Joyce W Cairns RSA was born and brought up in Edinburgh. She studied painting at Gray’s School of ...

Royal Academy Summer Exhibition 2014

Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...

Ursula Ilse-Neuman: interview

From the early days of its development two centuries ago, photography has been closely aligned with ...

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Ali Banisadr: interview

Born in Tehran in 1976, Ali Banisadr was three when the Islamic revolution took place. He and his fa...

David Ostrowski: interview

The paintings of German artist David Ostrowski (b1981) look like works that may or may not be quite ...

Ben Johnson: interview

Studio International visited the Alan Cristea gallery to talk to the painter Ben Johnson. This is hi...

Paul Coldwell: interview

Paul Coldwell’s exhibition at the Freud Museum, London explores our relationship to objects and th...



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