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Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...

The London-based Finnish artist talks about her multidi...

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Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...

The artist talks about how touring in a band influenced...

Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...

After months of psychoanalysis, the Turner Prize-winnin...

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor G...

Sergio Caballero: ‘I’m interested in the creative process. I couldn’...

The Spanish artist, composer, film-maker and director o...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice,...

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Andrea Ponsi: ‘I draw, therefore I am’

The architect, designer, writer and painter on how he went from building his own shelter...

Botticelli and Treasures from the Hamilton Collection

Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal th...

Chantal Joffe: ‘I want to make the painting feel like the person’

The artist talks about what she seeks to capture in a paintin...

Conrad Shawcross: ‘It looks like a wonder of the world’

The artist talks to Studio International about his new public sculpture...

Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the ques...

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Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doe...

Maha Malluh: ‘I don’t see the point in creating new objects while we h...

The Saudi Arabian artist talks about the allure of work...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became ...

Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter of everything from Norther...

Andy Warhol: Works from the Hall Collection

“Andy took the world as it was and, in his own way, described it with amazing accurac...

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Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

The work of the Danish collective has included everythi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project...

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorisi...

Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings,...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens h...

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Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke St...

Koen Vanmechelen: ‘An artist is always arriving at something that was un...

The man who turned breeding chickens into an art explai...

Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...

In his first London show, the artist explores the Ethio...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling techniq...

Aura Satz: ‘I think of all my works as conversations’

The artist reveals some of the hidden stories that inspire her film, perf...

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Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...

Working on drawings after labouring over collages is li...

Champagne Life

As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generation of female ar...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tel...

Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...

The multimedia artist talks about being critical of TED...



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