logo studio international

Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...

The Russian immigrant artists talk about the difference...

<

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bun...

Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evok...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016:...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connec...

<

François Morellet: ‘Art is frivolous even when it takes itself seriousl...

Two exhibitions, at London’s Mayor Gallery and Annely...

Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the col...

Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...

The artist talks about her recent return to making port...

Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...

The New York-based designer talks about designing $10,0...

Arnaldo Pomodoro: ‘Sculpture is the appropriation of one’s own space w...

As Italian sculptor Arnaldo Pomodoro has his first Lond...

<

Philip Pearlstein: ‘I decided I didn’t want to express other artists...

The American artist has pursued an independent path for...

Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, whi...

Comix Creatrix: 100 women making comics

This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary...

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of...

Kelly Chorpening: ‘The whole relationship between image and object or bu...

Studio International visited Horatio Junior gallery in ...

<

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyto...

Russia and the Arts: The Age of Tolstoy and Tchaikovsky

This exhibition introduces visitors to the talents and turmoil of the Russi...

Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...

The London-based Finnish artist talks about her multidi...

Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...

The artist talks about how touring in a band influenced...

Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...

After months of psychoanalysis, the Turner Prize-winnin...

<

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor G...

Sergio Caballero: ‘I’m interested in the creative process. I couldn’...

The Spanish artist, composer, film-maker and director o...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice,...

Andrea Ponsi: ‘I draw, therefore I am’

The architect, designer, writer and painter on how he went from building his own shelter...

Botticelli and Treasures from the Hamilton Collection

Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal th...

<

Chantal Joffe: ‘I want to make the painting feel like the person’

The artist talks about what she seeks to capture in a paintin...

Conrad Shawcross: ‘It looks like a wonder of the world’

The artist talks to Studio International about his new public sculpture...

Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the ques...

Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doe...



studio international logo
Copyright © 1893–2017 The Studio Trust.

The title Studio International is the property of
the Studio Trust and, together with the content,
are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
Studio Trust, PO Box 1545, New York, NY
10021-0043, USA