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Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave decision to ...

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Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...

Alfredo Jaar: A Logo for America

The first UK screening of Chilean artist Alfredo Jaar’s iconic work, A Logo for America, at London...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

Jennifer Wen Ma: ‘Throughout history, humans have been trying to break i...

The artist talks about her new installation, Molar, at Cass Sculpture Foundation, created as a place...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...

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Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Gallery in London, billed as ‘...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his current show at Exeter Phoenix, collaborating with local artists, the imp...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...

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Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...

Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...

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Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...

Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor Gallery, the most singular of British pop arti...

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Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice, the multidisciplinary artis...

Conrad Shawcross: ‘It looks like a wonder of the world’

The artist talks to Studio International about his new public sculpture, Paradigm, and shows us roun...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

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Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration and how they learned from each other’s differ...

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