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Edward Krasiński

As mercurial as this master of the Polish avant-garde might seem, a career-wide survey revealed some...

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When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...

Deimantas Narkevičius: 20 July 2015

In the Lithuanian artist’s latest exhibition, contrasting public reaction to the dismantling of co...

Armory Show 2017

Manhattan’s storied art fair pushed back against a softening art market with strong work, mid-rang...

Chto Delat: ‘Before you can recognise the light, you have to recognise t...

Dmitry Vilensky and Olga Egorova of the Russian collective Chto Delat talk about their latest exhibi...

All Watched Over by Machines of Loving Grace

In the 1960s, technological machines were seen as benign helpers or megalomaniac monsters. Fifty yea...

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Mahmoud Bakhshi: ‘I was focusing on the people who died, and on an artis...

Turning the gallery at narrative projects, London, into a 1970s cinema, Bakhshi places his audience ...

America After the Fall: Painting in the 1930s

This is a fabulously varied exhibition with a sting in the tail. The times, they were a changin', bu...

The photographic works of Kishin Shinoyama: Picture Power

The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120...

Alexei Jawlensky

Jawlensky’s art may be considered a life-long meditation on the process of change in his personal ...

Do Ho Suh: Passage/s

With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the ...

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Michael Andrews: Earth Air Water

Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...

Revolution: Russian Art 1917-1932

The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue b...

Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...

Gluck and Modern British Women

During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...

Amie Siegel: Strata

From the world’s deepest underground marble quarry to a fragment of pink marble from Trump Towers,...

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Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...

House Work

The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...

The Place Is Here

The 1980s were a fertile time for black British artists to interrogate their experience of racial di...

David Hockney

Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...

Vanessa Bell (1879-1961)

While Vanessa Bell stands strong as an artist in her own right, her art can nevertheless not be sepa...

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Yuko Mohri: 'I’m very curious about organic ecosystems'

Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and ex...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied biology rather than art, how her scientific ba...

Bouchra Khalili

In her first solo UK exhibition, French-Moroccan artist Bouchra Khalili explores the fraught concept...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...

A Revolutionary Impulse: The Rise of the Russian Avant-Garde

This exhibition of Russian art from the 1920s and 30s, based on MoMA’s own collection, is a hearte...

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Conceptual Art Now

Three exhibitions of conceptual art in Germany shed some light on the elusive genre. Taryn Simon’s...

Sussex Modernism: Retreat and Rebellion

Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...

Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...

Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, exploring the fetishism of anthropological obj...



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