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Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life

Despite the vast differences in the style and intention of their w...

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Sophie Jung: ‘I don’t trust language’

The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwr...

City Sculpture Projects 1972

Two of the 14 original sculptures are accompanied by other work from that time, alongside maquettes an...

Anselm Kiefer: Walhalla

Anselm Kiefer weaves myth and the modern era into a characteristically apocalyptic show. But is it all doom...

Karen Russo: ‘I’ve always liked the idea of making films that were som...

The artists talks about her two most recent films, Haus...

Franciszka Themerson: Lines and Thoughts

This exhibition reveals Themerson’s ability to conjure life and emotion out of a sin...

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David Kohn: ‘In trying to broaden what architecture could be, it feels l...

From a house extension modelled on a fox, to a new quad...

Pat Steir

This dramatic selection of the American artist’s painting from 1990-2011 marks her first London show for 26 years

Emma Elliott: ‘Being human is the most important thing. Just being human...

The Passion For Freedom ambassador talks about her curr...

Jiang Dahai: ‘There are universal values shared among artists and schola...

The Chinese-born artist unfolds his search for abstract...

Laura Owens

Laura Owens’s dynamic abstract paintings, accompanied her own quirky audio guide, ensure there is never a dull mo...

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Intrigue: James Ensor by Luc Tuymans

Ensor’s star has remained dim in the UK. This small exhibition of his works, selected by...

Ronan & Erwan Bouroullec: Rêveries Urbaines

Dreaming of new ways to connect humans to cities, the Paris-based brothers have sidest...

Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...

The German artist talks about his latest show at White ...

Wael Shawky: ‘When you invert language, you make it even stronger’

With two exhibitions of his work opening in Italy this month...

Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...

The Italian artist talks about her survey show at Balti...

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In Focus: Stanley Spencer – A Panorama of Life

This bite-size exhibition offers a concise but surprisingly thorough overview of t...

Anthea Hamilton: ‘There is something quite liberating about knowing that...

The Turner Prize-nominated artist talks about her exper...

Cheng Ran: Diary of a Madman

For his first solo US exhibition, the Chinese artist presents his view of New York through a multimedi...

Century: 100 Modern British Artists

The UK may be struggling with its identity in a globalised world, but the artists of the past c...

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels hi...

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Donna Huanca: ‘Memory is perhaps the most permanent architecture’

The Chicago-born artist discusses shedding skin, the idea of ...

Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...

For her third solo exhibition at Maureen Paley, London,...

Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...

The Berlin and Brussels-based artist discusses the bene...

South Africa: The Art of a Nation

This exhibition is packed with fantastic items that tell stories of resilience and resistance. Bu...

Thinking Pictures: Moscow Conceptual Art in the Dodge Collection

As viewers, we witness Moscow conceptualism caught in a perpetual ...

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Piotr Lakomy: Room Temperature

For his latest instalment at the south London gallery The Sunday Painter, the Polish artist poses qu...

Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she le...

Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth dec...

Ai Weiwei: ‘It’s about humanity’

Ai Weiwei is showing at four New York City galleries simultaneously. To mark this, Royal Aca...



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