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David Hepher – Grain of Concrete

Unusually for a landscape artist, Hepher has for 40 years focused almost exclusively on the tower bl...

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Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

The Turkish artist discusses her work THEY/ONLAR, a multiscreen video installation previously seen a...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian artist’s work, as he challenges stereotypical i...

Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New York brings together Titarenko’s photographs f...

Constable and Brighton

A pivotal period of John Constable’s life was spent in Brighton, where he would repeat three favou...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Petherbridge sees drawing...

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James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

From Selfie to Self-Expression

Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to ...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Maeve Brennan: The Drift

Premiering at the Chisenhale Gallery, Brennan’s film The Drift (2017) depicts restorative labour a...

Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...

Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complicate tradi...

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Naeem Mohaiemen: It is Not Necessary to Understand Everything

Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about...

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

The artist talked to Studio International about his painting process before the opening of his first...

Drawing Biennial 2017

The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a r...

Marsden Hartley’s Maine

Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wi...

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After Industry

This exhibition of works by Christer Karlstad, Willy Verginer and Jason DeMarte, fittingly staged in...

Jean Painlevé

This is the first UK solo show for this fascinating artist, who chronicled key moments in the lives ...

Architecture as Metaphor

A mix of sculpture, tapestry, film, photography, painting and collage by 33 artists whose work refer...

Amelie von Wulffen: The Misjudged Bimpfi

For her first solo exhibition in the UK, the artist deals with themes of guilt, marginalisation, sex...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

The artist talks about his seduction by charcoal, his fear of being exposed, and his creation of min...

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A Painter’s Doubt

In order to understand contemporary painting, curator Séamus Kealy presents the work of nine Europe...

The Japanese House: Architecture and Life after 1945

Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to cele...

Oliver Beer: ‘We are very fortunate to live in a time when there is comp...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...

Whitney Biennial 2017

America loves firsts, and, following a hiatus of three years, the once-unruly Whitney Biennial, now ...

Prabhavathi Meppayil

The Indian artist, brought up in a family of goldsmiths, adapts age-old techniques to make work that...

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Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

The Australian artist’s new exhibition at the ICA in London re-examines Britain’s colonial relat...

Michelangelo and Sebastiano

This fascinating exhibition tells the story of two Renaissance greats and their unlikely collaborati...

Tony Oursler: Imponderable

This fascinating exhibition brings together some of the artist’s vast archive of ephemera concerni...

Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

The artist talks about issues of voyeurism, privacy and identity, and her interest in personal space...



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