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Panorama Punjab

Committed to placing this marginalised sector of India in the light once again, film-maker Sarah Sin...

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Ingela Ihrman: We Thrive

The Swedish artist’s works and her theatrical pieces – which include a giant hogweed, a giant ot...

Murillo: The Self-Portraits

A small number of Murillo’s rare portraits are brought together at the National Gallery to celebra...

Picasso 1932: Love, Fame, Tragedy

Despite passages of naked voyeurism, the Tate’s blockbuster intoxicates with passion, power and th...

Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...

In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...

Langlands & Bell: ‘We like to be catapulted into the unknown; we like a ...

For a new show at Birmingham’s Ikon gallery, they have turned their shared gaze on to the giants o...

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The Armory Show 2018

This year’s Armory Show offered viewers an impressive selection of works by a wide range of artist...

Robert Irwin

Irwin’s immersive installations, with their experimental approach to light and space lead the view...

Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...

Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...

Cinthia Marcelle: The Family in Disorder: Truth or Dare

In her first major UK solo exhibition, the Brazilian artist shows the importance of collective actio...

Su Richardson: interview

Su Richardson talks about her work in the exhibition Home Strike at I’étrangère, London...

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Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...

For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...

Source and Stimulus: Polke, Lichtenstein, Laing

Presenting Roy Lichtenstein, Sigmar Polke and Gerald Laing in dialogue with each other within the co...

All Too Human: Bacon, Freud and a Century of Painting Life

Tate Britain’s All Too Human explores family, sex and death, and offers a fantastic chance to expl...

Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...

Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...

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Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...

The pioneer of immersive, sculptural light installations explains his process and procedures, intere...

Sam Stewart: ‘From a psychological perspective, working in someone's hom...

For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...

Cybernetic Serendipity: History and Lasting Legacy

Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...

Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...

Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...

Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...

Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...

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David Milne: Modern Painting

An exhibition of work by the Canadian painter David Milne charts his progression from depictions of ...

Art + Technology Week

Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium ...

Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...

Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...

The Enchanted Room: Modern Works from the Pinacoteca di Brera

Teeming with hidden treasures, this exhibition is a compact survey of key movements and artists in I...

Thinking Machines: Art and Design in the Computer Age, 1959-1989

The exhibition is a must-see for anyone interested in the early history of computer technology and i...

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Giorgio Griffa: A Continuous Becoming

With references to the Fibonacci sequence and the golden ratio, Griffa’s paintings are works to pu...

Zhang Enli: ‘I pay attention to the subtle things that you might usually...

The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...

Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...

Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...

Lydia Ourahmane: ‘Working with this personal history is something I have...

Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...



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