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Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...

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Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...

Ai Weiwei: ‘It’s about humanity’

Ai Weiwei is showing at four New York City galleries simultaneously. To mark this, Royal Academy Ame...

Leah Raintree – Another Land: After Noguchi

This modest exhibition consists of 10 photographs by Raintree of the work of Isamu Noguchi. Manipula...

Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’

Drawing inspiration from her childhood and her womanising, fur-dealer father, Papadopoulos works acr...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face of Ebola...

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Jean Tinguely: Machine Spectacle

From kinetic sculptures to ‘do-it-yourself machines’ and scorched animal skulls to self-destruct...

James Wilkes: ‘Mind-wandering has became a productive way for us to disr...

The exhibition Rest & its discontents at the Mile End Art Pavilion, London, is one of a number of ev...

Beyond Caravaggio

The shadowy and sensuous world of Caravaggio was too tempting for contemporaries to ignore. But as t...

John Akomfrah: ‘The question of discourse is absolutely central’

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Olga Chernysheva: Vague Accent

This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...

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Amalia Ulman: ‘I learn things from the performances that I wouldn’t ha...

Having presented her fictionalised personas on her Instagram account and at the Tate Modern, the art...

Daubigny, Monet, Van Gogh: Impressions of Landscape

A trail-blazing artist, largely lost from sight, is brought back into the limelight in this excellen...

Paul Feiler

Examples of the signature works that occupied Feiler from the 1970s are on show at the Jessica Carli...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...

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The Lumen Prize Awards 2016

In its fifth year, this leading global prize for digital art has really hit its stride, with a great...

Jamian Juliano-Villani: The World’s Greatest Planet on Earth

For her first solo public exhibition outside the US, the artist shows a sculptural installation and ...

Carla Rapoport: ‘I like to think we’re the Elvis of the art world’

The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...

James Richards: ‘I was really into making an exhibition space where ther...

The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, tal...

Lucia Nogueira

As this selection of work shows, the sculptures and installations of the Brazilian artist, made from...

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Bedwyr Williams: The Gulch

This is a disorienting exploratory playground for the imagination, a procession of surreal scenarios...

Wendy Stavrianos: ‘I have always aimed for my work to be more akin to vi...

The artist talks about her concern with environmental degradation and mass migration, and her aim to...

Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...

The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions ...

Picasso Portraits

Picasso’s life and art were shaped by friends, family and lovers, and as this exhibition demonstra...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

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Louise Bourgeois: Turning Inwards

The opening room at Hauser & Wirth Somerset has been transformed into a spider’s lair, a fitting s...

Giuseppe Penone: Fui, Sarò, Non Sono

Although he may not initially seem to possess the radicalism of his arte povera contemporaries, the ...

Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding

Nathaniel Pitt explains that he looked to the processes of artists, instead of the subjects of their...

Celia Paul: Desdemona for Hilton by Celia

In an exhibition dominated by self-portraits and seascapes, Celia Paul demonstrates the virtues of s...



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