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An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...

Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...

The multimedia artist talks about being critical of TED talks, studying US presidents, treating the ...

Carole Robb: ‘It was the harsh Scottish weather that shaped the internal...

As a child, she drew on her bedrooms walls. As an adult, she has won the Prix de Rome and a Fulbrigh...

Ivan Sotnikov: Painting of the 20th – 21st Century

A private museum in St Petersburg showcases the works of an important local artist who died last yea...

Francesca Woodman: On Being An Angel

Influenced by surrealism and the Gothic revival, as well as speaking to the contemporary 1970s femin...

Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly...

The artist, known for his refined sculptures and reliefs, explains why he moved from photography to ...

Margaret Harrison: ‘You have to have a strategy to draw people into the ...

Pioneering artist Margaret Harrison shares memories of her early career as an activist for equal rig...

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...

Munch: Van Gogh

This thorough exhibition explores parallels in the lives and works of Vincent Van Gogh and Edvard Mu...

Emilia Kabakov: ‘The idea behind this work is that reality can never bee...

Emilia Kabakov, who collaborates with her husband, Russian conceptual artist Ilya Kabakov, talks abo...

Risk

From the work of Bas Jan Ader, who disappeared while crossing the Atlantic in a tiny boat, to the po...

Yevgeniy Fiks: ‘Any utopia is queer by nature, because it takes you from...

The artist and curator Yevgeniy Fiks talks about his work with the curator Olga Kopenkina concerning...

Shigeo Anzaï: Index I

This solo show explores the archives of photographer Shigeo Anzaï, looking at his role in documenti...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration and how they learned from each other’s differ...

Rose Blake: ‘I have always found it easier to express a thought through ...

The illustrator and artist talks about her recent exhibition at the Rebecca Hossack Gallery, drawing...

IC-98: Drawn into Tomorrow

Finnish duo IC-98’s large-scale projections, combining intricate hand drawing with digital animati...

Niamh McCann: ‘I consider making a form of thinking’

The internationally acclaimed Irish artist talks about her latest show, Just Left of Copernicus, how...

Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...

Eva Langret, head of exhibitions for London’s Tiwani Contemporary gallery, discusses the current s...

Art Basel Miami Beach 2015

Although its subtext was sales, fair week provided a swirl for the senses. A dizzying array of work ...

Making Africa: a continent of contemporary design

This exhibition explores the impact new technology has had on the work of African artists, designers...

Crossing the Line 3: Global Drawing

Florence was the venue for the third of the Crossing the Line conferences, which explore the role of...

Ruth Root: ‘I love to see how artists create such a joy from colour’

The painter talks about her first US solo exhibition, at the Aldrich Contemporary Museum of Art, her...

Jompet Kuswidananto: ‘I am dealing with a culture that is never really f...

The Indonesian artist explains his work for Sonica 2015 and how he seeks to use sound installation a...

Matthew Barney: River of Fundament

Film, opera, sculpture, ancient Egypt, contemporary industrial America, Normal Mailer – this exhib...

Courtney J Martin: ‘Robert Ryman makes a lot of difficult things look in...

The curator of Dia: Chelsea’s Robert Rymanexhibition, discusses the seminal American artist’s si...

Elisabeth Frink: The Presence of Sculpture

Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...

Noah Davis: Imitation of Wealth

The opening of this exhibition, which should have been a day of celebration, sadly became a day of m...

Liu Ye: ‘Dick Bruna is more important to me than Da Vinci’

The Beijing-based artist on how seeing Bruna’s Miffy was seeing himself in a mirror, and why the m...

Jackson Pollock: A Collection Survey, 1934-1954

The exhibition of Jackson Pollock’s works from the collection of the Museum of Modern Art opens up...

Artist Rooms: Roy Lichtenstein

As part of the Artist Rooms series, the Scottish National Gallery of Modern Art in Edinburgh is show...

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